Search results for "Documentary cinema"
showing 5 items of 5 documents
Sguardo di ascolto: note di ricerca sul film Aylesbury Estate (2020)
2022
Aylesbury Estate (2020) è un lungometraggio documentario sul noto complesso abitativo di social housing londinese, nel quale ho abitato per alcuni anni. Il film, da me diretto tra il 2017 e il 2020, segue il percorso esistenziale ed emotivo di alcuni residenti dell’Aylesbury mentre si fa strada il lungo processo di demolizione dello stesso. Nel ripercorrere il processo di realizzazione del film e attraverso l’analisi di alcune sequenze del film finito, questo articolo propone uno ‘sguardo di ascolto’ per condurre ricerca sul campo attraverso il mezzo filmico.
El color del camaleón: un testimonio valiente para la sociedad chilena
2017
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population.
Singolare/plurale: autrici e autori nel documentario italiano contemporaneo
2022
The essay aims to reconstruct a recent tendency of Italian documentary cinema, consisting in the emerge of collective film direction as frequent practice
Challenging Old and New Images Representing the Cambodian Genocide: The Missing Picture (Rithy Panh, 2013)
2018
This article focuses on the images used over four decades to represent the Cambodian genocide in photography, cinema, visual arts and the media as the basis for analyzing the documentary-memoir directed by Rithy Panh, The Missing Picture. First, there is a paucity of images which depict, evoke or allude to the crimes perpetrated by the Khmer Rouge (1975-1979); second, scholars raise objections about whether any image can adequately depict a catastrophic event such as genocide. This article begins by categorizing the Cambodian genocide iconography according to the modality of the visual production. After briefly classifying this visual output in four categories (perpetrator images, liberator…